901 Free Artworks of 1756 Etchings

metropolitan museum of artetchings in the rijksmuseum amsterdamprints by louis bernard coclers in the rijksmuseum amsterdamlouis bernard coclersprints in the metropolitan museum of artdrypoint prints in the rijksmuseum amsterdametching and engravingneoclassicismgiovanni battista piranesirealism
Bouclier d'Hercules, Louis-Joseph Le Lorrain, 1756
the elisha whittelsey collectionlouis-joseph le lorrain
Studieblad met elf hoofden, RP-P-1888-A-13791, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Landschap met boerderij, RP-P-BI-7020A, Abraham Delfos, 1756
prints by abraham delfos in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Das Bretspiel (Ladies and Gentlemen Playing Board Games), Johann Esaias Nilson, 1756
prints in the national gallery of art (washington, d.c.)johannes esaias nilson
Parte dell'antica via Appia (Section of the Old Appian Way), Jean-Baptiste Le Prince, 1756
etchings in the national gallery of art (washington, d.c.)jean-baptiste le prince
Plan of the upper floor of the part of the Palazzo de Cesari believed to be the home of Augustus on Mount Palatine, the lower floor of which was intended for spas or baths., Giovanni Battista Piranesi, 1756
le antichità romane (piranesi)neoclassicism
Piranesi-Scipionengrab, Giovanni Battista Piranesi, circa 1756
etchings by giovanni battista piranesineoclassicism
Madame Adelaide de France, Jacques Firmin Beauvarlet, 1756
prints in the metropolitan museum of artjacques firmin beauvarlet
'Prospect af det Grevelige Moltkiske Palais Paa den Nye Friderikstad i Kiöbenhavn', Johan Jacob Bruun, 1756
prints by johan jacob bruun in the statens museum for kunstetching print
Piranesi-TombaScipioBarbatus retouched, Giovanni Battista Piranesi, circa 1756
etchings by giovanni battista piranesineoclassicism
The Invasion, Plate 2: England, William Hogarth, 8 March 1756
prints by william hogarthrealism
Early life of Christ in the Bowyer Bible print 9 of 21. dream of Saint Joseph. Stella, Jacques Stella, 1756
bowyer bibleclassicism
Tomb of Priscilla, wrongly described by Piranesi as "Sepolcro creduto de'Scipioni fuori di Porta S. Sebastiano sopra l'antica Via Appia nella Vigna in faccia alla Chiesa; Domine quo vadis" on Tav. XXVIII, Giovanni Battista Piranesi, 1756
le antichità romane (piranesi)neoclassicism
Don Quixote Releases the Galley Slaves (Six Illustrations for Don Quixote), William Hogarth, 1756 or after
don quixote (hogarth)realism
Hoefsmid beslaat een ezel, RP-P-1905-2265, Martin Engelbrecht, between 1699 and 1756
horse riding in etchingsetchings of donkeys
The Temple of Vespasian and Titus, also called the Temple of Jupiter the God of Thunder, Giovanni Battista Piranesi, 1756
prints by giovanni battista piranesi in the statens museum for kunstneoclassicism
The Pyramid of Cestius, with Porta San Paolo in the distance, Giovanni Battista Piranesi, 1756
prints by giovanni battista piranesi in the statens museum for kunstneoclassicism
Two nude male figures, Gilles Demarteau, between 1756 and 1776
french prints in the british museumgilles demarteau
Twee matrozen wachten in de haven, RP-P-1883-A-7140, Louis Bernard Coclers, between 1756 and 1817
etchings in the rijksmuseum amsterdametchings of ports and harbours
Landschap met ruiter en herder, RP-P-1888-A-13785, Johannes Janson, between 1756 and 1817
prints of horses in the rijksmuseum amsterdametchings of shepherds
Rivier met waterval, RP-P-1883-A-7148, Louis Bernard Coclers, between 1756 and 1817
etchings in the rijksmuseum amsterdametchings of waterfalls
Studieblad met tien hoofden, RP-P-1883-A-7162, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Chiesa di S. Maria in Campo Carleo - Plate 102 - Giuseppe Vasi, Giuseppe Vasi, 1756
book 6 - the parish churches by giuseppe vasi1756 etchings
Tomb of Priscilla, wrongly described by Piranesi as "Sepolcro creduto de'Scipioni fuori di Porta S. Sebastiano sopra l'antica Via Appia nella Vigna in faccia alla Chiesa; Domine quo vadis", Giovanni Battista Piranesi, 1756
le antichità romane (piranesi)neoclassicism
Don Quixote and the Knight of the Rock (Six Illustrations for Don Quixote), William Hogarth, 1756 or after
don quixote (hogarth)realism
Don Quixote and the Knight of the Rock (Six Illustrations for Don Quixote), William Hogarth, 1756 or after
don quixote (hogarth)realism
The Young Girl Resting, François Boucher, 1756
prints by françois boucherrococo
The Young Girl Resting, François Boucher, 1756
prints by françois boucherrococo
The Young Girl Resting, François Boucher, 1756
prints by françois boucherrococo
The Young Girl Resting, François Boucher, 1756
prints by françois boucherrococo
Simon Fokke, Afb 010097002795, Simon Fokke, 1756
prints in the stadsarchief amsterdamoude lutherse kerk
Rowlandson-Bluestockings, Thomas Rowlandson, 1815
1815 cartoonsromanticism
Doorwaadbare plaats bij een aquaduct, RP-P-1905-2262, Martin Engelbrecht, between 1699 and 1756
horse riding in etchingsetchings of shepherds
Athalia en Joab, RP-P-OB-73.332, Antoine Coypel, between 1677 and 1756
etchings in the rijksmuseum amsterdamworks after antoine coypel
Studieblad met zes hoofden, RP-P-1888-A-13790, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Three Designs for Wall Sconces in the Chinese Taste, Plate 48 in One Hundred and Fifty New Designs, Thomas Johnson, 1756–57
etchings in the cooper–hewitt, smithsonian design museumthomas johnson (designer)
Jonge vrouw loopt over stenen door een rivier, RP-P-1905-2261, Jan de Visscher, between 1699 and 1756
engravings in the rijksmuseum amsterdametchings of shepherds
Hengelaars bij een rivier, RP-P-1883-A-7143, Louis Bernard Coclers, between 1756 and 1817
etchings of bridgesetchings of anglers
The Man who Courts Fortune and the Man Who Sleeps in Bed, Jean-Baptiste Oudry, published 1756
illustrations of jean de la fontaine's fables by jean-baptiste oudryetchings in the national gallery of art (washington, d.c.)
Studieblad met dertien hoofden, RP-P-1893-A-18101, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Mausoleo d'Augusto, Giovanni Battista Piranesi, 1756
le antichità romane (piranesi)neoclassicism
Design for Wall Brackets, Plate 42 in One Hundred and Fifty New Designs, Thomas Johnson, 1756–57
prints in the cooper–hewitt, smithsonian design museumthomas johnson (designer)
Hengelaars bij een rivier, RP-P-1888-A-13787, Louis Bernard Coclers, between 1756 and 1817
etchings of windmillsetchings of bridges
The Adventure of Mambrino's Helmet (Six Illustrations for Don Quixote), William Hogarth, 1756 or after
don quixote (hogarth)realism
The Adventure of Mambrino's Helmet (Six Illustrations for Don Quixote), William Hogarth, 1756 or after
don quixote (hogarth)realism
The Chapel of the Enfants-Trouvés in Paris: Saint Vincent de Paul, Charles-Joseph Natoire, 1756
charles-joseph natoirerococo
Don Quixote releases the Galley Slaves (Six Illustrations for Don Quixote), William Hogarth, 1756 or after
don quixote (hogarth)realism
The Funeral of Chrystom and Marcella Vindicating Herself (Six Illustrations for Don Quixote), William Hogarth, 1756 or after
don quixote (hogarth)realism
The Chapel of the Enfants-Trouvés in Paris: Religieuse et petites filles regardant la crèche, Charles-Joseph Natoire, 1756
etienne fessardrococo
Versailles Grand Ball Decoration, 1745 - Dauphin's Wedding, Charles-Nicolas Cochin the Elder, 1756
prints of france in the cooper–hewitt, smithsonian design museum1756 works
The Arch of Septimius Severus (Arco di Severo, e Caracalla), Giovanni Battista Piranesi, circa 1756
etchings by giovanni battista piranesineoclassicism
Studieblad met hoofden, RP-P-1888-A-13789, Louis Bernard Coclers, between 1756 and 1817
prints by louis bernard coclers in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Adam Friedrich Oeser - De besnijdenis van Christus (RP-P-1909-472), Adam Friedrich Oeser, 1756
prints by adam friedrich oeserbaroque
Herder te paard en een jongen met een kudde, RP-P-1905-2263, Jan de Visscher, between 1699 and 1756
horse riding in etchingsetchings of goats
Young woman with braided hair, bust-length, seen from behind; her right hand holds a drapery, François Boucher, between 1756 and 1776
gilles demarteaurococo
Studieblad met negen hoofden, RP-P-1894-A-18610, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi, circa 1756
etchings by giovanni battista piranesineoclassicism
View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi, circa 1756
etchings by giovanni battista piranesineoclassicism
Piranesi-Tomo-1-img-1, Giovanni Battista Piranesi, 1756
porta metronia (rome)neoclassicism
The Invasion, Plate 1: France, William Hogarth, 8 March 1756
prints by william hogarthrealism
The Laundress, François Boucher, 1756
prints by françois boucherrococo
The Chapel of the Enfants-Trouvés in Paris: La Suite des rois mages: cavaliers, Charles-Joseph Natoire, 1756
charles-joseph natoirerococo
The Invasion, Plate 2: England, William Hogarth, 8 March 1756
prints by william hogarthrealism
The Pyramid of Gaius Cestius, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi, circa 1756
etchings by giovanni battista piranesineoclassicism
Plan of Rome..., from Le Antichità Romane (Roman Antiquities), Giovanni Battista Piranesi, circa 1756
etchings by giovanni battista piranesineoclassicism
The Idol., William Hogarth, 1756-1758 (circa)
prints by william hogarth in the british museumrealism
Cornice and column from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from 'Le Antichità Romane', Giovanni Battista Piranesi, 1756
etchings by giovanni battista piranesineoclassicism
Grund Tegning og Opstalt af Aakirke-Bye Kirke paa Bornholm, Jonas Haas, circa 1756
18th-century copper engravingsjonas haas
Studieblad met manshoofd met steek en vrouw met kapje, RP-P-1883-A-7106, Louis Bernard Coclers, between 1756 and 1817
crayon manner in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Naaiende vrouw bij kaarslicht, RP-P-1893-A-18123, Louis Bernard Coclers, between 1756 and 1817
etchings in the rijksmuseum amsterdamcandlesticks in art
Young woman, bust-length, gazing downwards, to right, head covered by a heavy drapery, François Boucher, between 1756 and 1776
gilles demarteaurococo
View of the Roman Forum, with the Temple of Castor and Pollux in the foreground and the Avertine Hill in the distance, Giovanni Battista Piranesi, 1756
prints by giovanni battista piranesi in the statens museum for kunstneoclassicism
The Curate and Barber Disguising Themselves to Convey Don Quixote Home (Six Illustrations for Don Quixote), William Hogarth, 1756 or after
don quixote (hogarth)realism
The Curate and the Barber Disguising Themselves to convey Don Quixote Home (Six Illustrations for Don Quixote), William Hogarth, 1756 or after
don quixote (hogarth)realism
The Chapel of the Enfants-Trouvés in Paris: La Suite des rois mages: chameliers et porteurs de présents, Étienne Fessard, 1756
etienne fessardrococo
Studieblad met een vrouwenhoofd met hoofddoek, RP-P-1883-A-7158, Louis Bernard Coclers, between 1756 and 1817
crayon manner in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Studieblad met een hoofd, de blik naar boven gericht, RP-P-1883-A-7155, Louis Bernard Coclers, between 1756 and 1817
crayon manner in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Man en vrouw in gesprek, RP-P-1883-A-7138, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Sluis, RP-P-1883-A-7145, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Studieblad met een vrouwenhoofd met hoofddoek, RP-P-1883-A-7159, Louis Bernard Coclers, between 1756 and 1817
crayon manner in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Sluis, RP-P-1883-A-7144, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Italian Theatre (Théatre Italien), from Essai de Papilloneries Humaines par Saint Aubin, Charles Germain de Saint Aubin, circa 1756–60
charles-germain de saint-aubinrogers fund
In de omgeving van Vlissingen, objectnr A 56984, 1756 – 1814
etchings in the amsterdam museumwillet-holthuysen collection
View of the arches of the consuls Dolabella and Silanus enclosed within the Neronian arches of the Acqua Claudia, from the series 'Roman Antiquities' (Le Antichità Romane), Giovanni Battista Piranesi, 1756
etchings by giovanni battista piranesineoclassicism
Portret van paus Pius VI, RP-P-1908-950, Angelo Campanella, between 1756 and 1811
italian etchings in the rijksmuseum amsterdamangelo campanella
Manshoofd met steek in profiel naar rechts, RP-P-1883-A-7108, Louis Bernard Coclers, between 1756 and 1817
prints by louis bernard coclers in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Hoofdstudie van een jonge vrouw met hoed, RP-P-1883-A-7120, Louis Bernard Coclers, between 1756 and 1817
prints by louis bernard coclers in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Molen in een polderlandschap, RP-P-1883-A-7146, Louis Bernard Coclers, between 1756 and 1817
etchings in the rijksmuseum amsterdametchings of windmills
Het zicht La Vuë Das Gesicht (titel op object) De zintuigen (serietitel), RP-P-1905-1004, Martin Engelbrecht, between 1694 and 1756
18th-century prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Geleerde in zijn werkkamer, RP-P-1883-A-7136, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Manshoofd met hoed en pijp, RP-P-1893-A-18113, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Geleerde in zijn werkkamer, RP-P-1893-A-18114, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Manshoofd met hoed en pijp, RP-P-BI-5969, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Geleerde in zijn werkkamer, RP-P-1883-A-7135, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
De poelierster, RP-P-1888-A-13776, Louis Bernard Coclers, 1756 - voor 1780
prints by louis bernard coclers in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Manshoofd met hoed en pijp, RP-P-1888-A-13792, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
Portret van een jonge dame met hoed in profiel naar links, RP-P-1883-A-7118, Louis Bernard Coclers, between 1756 and 1817
drypoint prints in the rijksmuseum amsterdametchings in the rijksmuseum amsterdam
The Innkeeper's Wife & Daughter taking Care of ye Don after being beaten & bruised (Six Illustrations for Don Quixote), William Hogarth, 1756 or after
prints by william hogarthrealism
The Innkeeper's Wife and Daughter Taking Care of ye Don after Being Beaten and Bruised (Six Illustrations for Don Quixote), William Hogarth, 1756 or after
don quixote (hogarth)realism
Georg Paul Busch Statue des Großen Kurfürsten in Berlin, before 1756
reiterstandbild kurfürst friedrich wilhelm i (berliner schloss)baroque
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